FAITH

Watch A Traditional Thai Healing Ritual and The Deeper Meaning it Carried

Last night, I was invited to film a ritual known locally as ram ma’moed.

In Thai, the words themselves are unremarkable. Ram translates to “dance.” Ma’moed means “witch,” “sorceress,” “spirit woman.” Put together, here in this village, it simply translates to “Witch Dance.”

But like many things here in South Isaan, the English language struggles to carry the weight of what that actually means. The Romanized translation flattens it. Thins it out. Search engines don’t help much either. Academic references are sparse, and where they do exist, they tend to miss the point.

Because on the ground, in villages like this one — the practice isn’t rare, dramatic, or symbolic in the way Western audiences often expect. It exists quietly. At human scale.

What It Is, Plainly

Ram ma’moed is a ritual healing dance, most often associated with female mediums. It may involve trance, channeling ancestral spirits, possession, or some combination of those things. But it isn’t a performance in the usual sense. It isn’t staged. It isn’t announced.

It happens because it still needs to happen out here.

No one is trying to explain it. No one is trying to defend it. No one is trying to sell it.

It isn’t framed as “culture.” It isn’t framed as “belief.” And it certainly isn’t framed as spectacle. It simply lives as part of the fabric of daily life.

Why It Lives Here

Its roots are deep and Southern Isaan isn’t just “Thai.” Culturally, it emerges from an overlap of Lao traditions, Khmer influence, animist belief, deep ancestral orientation, and Buddhism. These layers weren’t asked to replace one another. They were allowed to stack.

Many of the rituals practiced here predate the idea of Thailand as a nation. They were shaped long before borders, long before centralized religion, long before modern categories were enforced from above.

And that history shows.

What struck me most wasn’t the ritual itself. It was how unremarkable it was to the people involved.

There was no sense of rebellion. No sense of opposition. No sense that this needed justification.

It wasn’t framed against Buddhism. It wasn’t framed instead of anything.

It simply existed alongside. Alongside neighbors. Alongside the road. Alongside meals and children playing.

The Problem Isn’t the Ritual, It’s the Word

Now, about that phrase… Witch Dance.

There’s a problem with that word, witch. Not the practice. Not the people. The word.

In English, witch arrives already poisoned. Suspicious. Fearful. There’s something slightly contaminated before you’ve even said the rest of the sentence. For most Western ears, it’s impossible to hear the word without centuries of accusation riding along with it.

But that wasn’t always the case.

Before “Witch” Became an Accusation

Before the word carried that heavy weight, the role it described was largely practical. Ordinary, even. In many pre-Christian European cultures, the person referred to as a witch was simply someone who knew things.

A healer. A midwife. A keeper of seasonal knowledge. A reader of signs. A mediator between the visible and invisible parts of life.

These weren’t fringe figures. They were functional. Necessary. Often deeply respected — especially when those roles were held by women. And yes, throughout history there were men who filled similar roles. But the authority most often targeted, most often erased, was female.

What’s important to understand is this: the work didn’t change.

The knowledge didn’t suddenly become dangerous. The rituals didn’t suddenly turn dark. The people didn’t suddenly become evil.

What changed was who was allowed to hold authority.

How the Word Got Poisoned, Probably

As centralized religion took hold, especially Christianity in Europe, it required something very specific in order to function: a monopoly on meaning. A single, sanctioned explanation for how the world works. Who speaks for the unseen. Who mediates between humans and whatever lies beyond.

Local spiritual authority, especially authority that wasn’t written down, wasn’t institutional, and wasn’t male, represented a problem.

Not because it was wrong, necessarily. But because it was ungovernable.

So the word shifted.

What once described a role became an accusation. What once described knowledge became heresy. And eventually, what once described care became evil.

This wasn’t accidental. It was engineered.

Centralized religion began replacing local spiritual systems. Unsanctioned knowledge became suspicious. The unseen stopped being mysterious and became dangerous. And anxiety about uncertainty slowly turned into anxiety about dissent.

But underneath all of that was something simpler and more durable:

 

Moral absolutism.

Once belief systems harden into binaries — good and evil, saved and damned, pure and corrupt — nuance dies quickly. And when nuance dies, anything that doesn’t fit cleanly into the approved categories becomes a threat by default.

The witch didn’t become evil because she was evil. She became evil because she couldn’t be controlled.

Because her authority didn’t flow through an institution. Because her knowledge couldn’t be audited. Because her power didn’t ask permission.

And once that frame was established, everything followed naturally: fear, accusation, trials, purges. Not because society suddenly lost its mind, but because binary thinking leaves no room for coexistence.

There’s only replacement. Only purification. Only elimination.

What Felt So Foreign About That Arc

What struck me, watching ram ma’moed here in Thailand, was how foreign that entire arc feels. Not because the rituals are similar because they’re not, but because the structure of belief is different.

Here, belief systems didn’t evolve competitively. They evolved additively, even complementarily.

Instead of: “This replaces that,” the logic was: “This lives alongside that.”

So Buddhism didn’t erase animism. Ancestor spirits weren’t declared false. Ritual specialists weren’t hunted. And female spiritual authority didn’t need to go underground to survive.

No one had to poison the word witch. No one had to burn the practice out.

And so these rituals remain … not loudly, not defiantly, just intact.

When belief systems leave room for overlap, no one needs to become a demon.

And that, more than anything else, is what the word witch reminds us of. It’s not what people once feared, but what happens when cultures lose the ability to live with ambiguity.

The Personal Lesson I Keep Coming Back To

There’s a temptation, especially in Western culture, to demand alignment.

To push belief into lanes. To require people to pick sides — spiritually, politically, ideologically — and then perform loyalty to that choice.

Certainty becomes currency. Ambiguity becomes suspicious.

But when differing beliefs aren’t allowed any oxygen at all, something strange happens.

The people enforcing purity slowly begin to resemble the very thing they claim to oppose.

Zealots arguing with zealots. Rigidity meeting rigidity. Certainty shouting at certainty.

It doesn’t actually matter which side you’re on. The structure is the same.

Don’t misunderstand: living alongside differences doesn’t mean absolute acceptance of them. It certainly doesn’t mean accepting harm or destruction behind differences. Discernment is still required. The distinction matters.

But cultures that fear ambiguity tend to invent demons. Cultures that live with ambiguity tend to invent rituals.

What I’m Trying to Make Space For

What I witnessed here wasn’t a rejection of modernity, or a rebellion against religion, or a statement about belief at all.

It was coexistence, practiced quietly.

No one was asking for permission. No one was asking for validation. No one was demanding agreement.

And because nothing needed to be purified or eliminated, nothing needed to be demonized.

I’m not interested in turning this ritual into an argument. I’m not interested in flattening it into a metaphor. And I’m not interested in telling anyone what to think about it.

This work isn’t about making a statement.

It’s about making space.

Space for curiosity. Space for difference. Space for the possibility that not everything needs to be resolved into a binary before it can be respected.

If there’s something to be discovered here, it won’t come from being told. It will come from being witnessed.

Refuge in the Middle

The irony isn’t lost on me that in the places most obsessed with freedom, independent thought often requires choosing a side and then making noise about it.

Riding the center rarely attracts attention. It doesn’t convert well. It doesn’t outrage efficiently.

But it does something else.

It offers refuge.

And in a world increasingly monetized through rage, refuge may end up being the most radical thing of all … even if it takes a while for people to realize they’re looking for it.

Read the full essay >

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Wat Pa Jao Veh: A Buddhist Temple Hidden in The Garden

by William Snyder

Near the Cambodia Border

 

Wat Pah Jow Way is one of a handful of hidden forest temples scattered across the Isaan provinces. This one sits deep in remote Sisaket, barely ten kilometers from the Cambodian border. You reach it by following a sometimes-dicey trail that clings to the edge of the jungle on one side and a series of small cliffs, caves, and tiny shrines tucked along the pathway on the other.

There’s a sacred spot along the trail where water drips from a bamboo tap driven into the rock…one slow, steady drop at a time, day and night, all year long. The monks collect that water patiently, drop by drop, into open cisterns and pump it up to the main grounds. It supplies everything: drinking water, bathing water… their entire day-to-day life runs on the rhythm of that eternal drip.

We even run into a couple bats that scared the hell out of me – but I had to look….twice.

When the path finally breaks out of the forest, you step into a quiet world of freestanding meditation rooms, this sweeping naga sculpture, the main temple hall, monks’ quarters, shrines, and the living spaces of the Mae Chee.Mae Chee aren’t ordained in the same way as monks, but they follow the same precepts and are deeply respected. They are important anchors of these Buddhist communities.

This whole place hums with a calm that doesn’t feel curated, it feels lived-in, carried forward by generations. The monk you’ll see in the snapshots near the end of the video has been here his entire life. His father served as the head monk until he passed away at the age of 106.

And the final two snapshots they’re of the sacred Thone Takhian tree, the heart around which much of this temple’s spiritual gravity gathers.

The Takhian tree isn’t just a tree here. It’s home to a powerful female spirit woven deep into Thai tradition. People call her Mae Takhian. She’s part guardian, part mystery, part echo of the old forest. Some say she was once a woman whose life ended violently; others believe she’s a kind of nature deity who chose the ancient Hopea trees as her dwelling. Either way, her presence is treated with real reverence.

Shrines dedicated to her often overflow with bright fabrics, dresses, gold trim, and small offerings… gifts meant to honor her and ask for protection, good luck, or a little help navigating life. She’s seen as protective, sometimes fearsome, always respected.A mother-spirit of the deep woods.A reminder that the line between the natural world, old beliefs, and Buddhist practice isn’t a line at all, it’s a blend.

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1,000,000 Bottles of Beer on The Wall

by William Snyder

Khun Han, Thailand

Throughout Thailand, there are more than forty-four thousand known temples — or wats — each unique in its own way. But on the edge of Khun Han, in the border province of Sisaket in southern Isaan, there’s one that stands apart.

What makes it different?

This particular temple chose beer bottles as its primary construction material.

I know what you’re thinking. Temple. Monks. Beer. And over the course of a few thousand years they brewed and drank enough to build an entire temple from the empties.

No, these aren’t Trappists, and this isn’t France. The story of Wat Lan Khuad isn’t quite that dramatic.

A temple built from what was left behind

In 1984, when construction began, the monks here noticed the growing number of discarded beer bottles during their morning alms walk. Instead of treating them as trash, they decided to repurpose them which laied the foundation for what would later be recognized as one of the world’s leading examples of sustainable architecture.

The main temple was completed just two years later, opening in 1986. As word spread, empty bottles began pouring in. Even the local government helped with collection. They mainly used green Heineken and brown Chang (a great Thai lager) bottles. By 2009, more than twenty buildings had been constructed using beer bottles.

More than a single building

The main temple. Meeting halls. Raised bungalows where the monks live. The crematorium. Prayer rooms. Dining halls. Storage buildings. Even the water tower.

All told, roughly one and a half million bottles were used. The caps were repurposed as well - arranged into intricate mosaics throughout the site. It’s one of those places where the story is obvious the moment you arrive, but the details keep unfolding the longer you stand still.

A small twist of coincidence

And in a small twist of coincidence, back in the early 1960s, Freddy Heineken floated the idea of making Heineken bottles square and interlocking - designed specifically to be reused as building blocks. The idea never made it past marketing.

But some twenty-odd years later, a group of monks in rural Thailand quietly found a way.

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Remote Monastery

by William Snyder

Khun Han, Thailand

Around here, you don’t have to go far to find something completely magical.

Within just ten kilometers of our home, there are countless places like this—temples, historical sites, landmarks, lakes, forests, caves. The list never really ends. My wife is an explorer, and she’s spent her entire life here. And still, there are places practically in our own neighborhood she never even knew existed.

This video is about one of them.

We stumbled across it by accident, on our way to another temple just eight kilometers from the farm.

Off the beaten trail—and then a little further still—deep into the forest, on a plateau hundreds of feet above the Ota Lat Reservoir, perched against a rock cliff, sits Samnaksong Tham Kaew.

It’s one of the most peaceful places I’ve ever been.

Not a temple in the officially recognized sense—hence the absence of the word Wat—this is more of a monastery. A monument, really. Built in honor of a renowned and important hermit who inhabited this land until his death.

Inside the modest sanctuary is a small shrine, and an encased glass tomb holding his incorruptible body. They call him Pu Kaew—Grandpa Kaew.

After a short grounding meditation at a shrine beside the skeletal framework of what will one day become a new temple building, we wandered the grounds alone, completely unencumbered.

High above the earth below, across a small arched bridge, sits what is essentially the top of a rock—used daily as a meditation space. After lingering there for some time, breathing in the quiet, mineral-rich air, we continued on past a handful of cliffside bungalows where monks live—briefly passing just inches from one’s porch—and down a narrow, unmaintained trail hugging the cliff.

Along the way, several other meditation points overlooked the reservoir below. Signs of recent use were everywhere.

Eventually, we made our way back toward the main sanctuary. A monk approached—no doubt alerted by the howling temple dogs—greeted us warmly, offered us coffee, and shared a short conversation with my wife.

It was an extraordinary place to stumble upon.

We both felt the effects of being there as we left, continuing on to the temple we had originally set out to visit.

What’s Kept in The Dark: Wat Khun Han

by William Snyder

Khun Han Village, Thailand

In a quiet corner of Khun Han Village, stands a temple known not only for its towering Buddhas and ornate structures, but for what sits in a sunken room behind a darkened doorway – Ban Wat Khun Han.

The grounds are bright, almost blinding in the Isaan sun – gold catching the light at every angle. But below, in a shadowed room mostly closed off to visitors, rests a vast collection of sacred artifacts gathered over many decades.

We stepped inside briefly.

The light was low. The footage is imperfect. But sometimes the atmosphere matters more than clarity.

This is another field note from rural Northeast Thailand – where scale and stillness live side by side, and where history quietly accumulates in the dark.

Hidden and Forgotten: A Forest Temple

by William Snyder
Unnamed Section of Jungle

 

Just eight kilometers from our village lies one of the most energy-dense, mysterious forest temples in all of Thailand: Wat Tham Sarapong. Tucked near the Cambodian border, this site was once home to people from diverse backgrounds who came together to form the original settlement of Najaria.

Decades ago, Princess Chulabhorn traveled through this region and witnessed the poverty and hardship faced by the villagers. She intervened directly—constructing a new village, allocating farmland, building homes for each resident, gifting every household one cow and one pig, and renaming the community Ban Thap Thim Siam 06.

Today, the temple is a forgotten sanctuary slowly being reclaimed by the jungle.

Returning to the Forest Temple

In Part One, we wandered the outer grounds cautiously, feeling more like intruders than visitors. We promised to return with a deeper look. With the border conflict intensifying and many nearby villages now gated or guarded, we weren’t sure we’d be able to slip through. But my wife knew a way—quiet, unmarked, and just outside the checkpoints.

We made it in. The monks, only five remaining, were surprised to see us but welcomed the unexpected company.

A Place the Locals Call Ancient

Many villagers believe this temple once stood on the site of an ancient royal palace or a city that collapsed more than 2,000 years ago. When you stand there, it’s not hard to see why. The main temple rests beneath a vast circular cliffside of sheer rock, shaped like a natural amphitheater. Beneath this wall lies the Sleeping Buddha, positioned above what was once a powerful waterfall that flowed down into the lake below.

Crossing Into the Old World

Exploring the upper levels, we crossed a simple but striking arched bridge—once spanning a river that fed the temple grounds. We passed abandoned monk quarters, meditation huts, and wide marble staircases leading to outdoor gathering spaces long overtaken by vines.

Inside one marble-lined chamber, frozen in time, we found ornate statues and what felt like the remnants of a grand hall cut straight from another era.

The Descent

A narrow staircase led downward. Halfway into the passage, a dozen giant bats burst from the shadows, sending us scrambling back. After a brief reset, I ventured down again. The bats had moved on. Below was a hidden bathing area for monks—placed one level beneath the Buddha out of reverence.

A Monk, a Lake, and an Ancient Trail

Outside on the lowest tier, we followed a path toward the old burial grounds, the lake, and a remote monk dwelling perched just above the water. The monk assigned to this area greeted us warmly—likely the first outsiders he’d seen in a very long time.

When my wife asked permission to film, he became animated, eager to show us something sacred. He led us up a steep rock incline to what he described as 10,000-year-old hoofprints—ancient impressions left by water buffalo traveling from the high pastures down to the lake.

Moments later, as if summoned by the land itself, a villager appeared leading a large herd of buffalo to the water. They moved exactly as the monk had described. But one buffalo spotted me… then another. When the lead animal climbed out of the lake with clear intent, I retreated up the incline to the sound of the monk’s uncontrollable laughter.

A Final Look Back

We ended our visit where we began: beside the sheer rock canyon where water once fell in a way that pulled you into a trance-like meditation. But now we stood on the opposite side, connected by pathways that felt folded through time.

This temple is a living fragment of ancient Isaan—a world hidden in the borderlands, untouched, unpolished, and almost entirely forgotten.

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This Only Happens in Select Temples

by William Snyder

Khun Han Village, Thailand

Before his enlightenment, after 6 years of asceticism, a woman named Suchata fed an emaciated Buddha a bowl of rich rice pudding containing milk, honey, butter, nuts, seeds, coconut and grains. That simple act is essentially what is being recreated here and in select Lao speaking villages throughout Thailand but primarily Isaan.

The tradition is called Kuan Khao Tip, which translates to stirring the sweet rice.

There are 5 pots boiling over fire kept hot by a rotation of Monks adding fresh coal throughout the day. Each pot represent Buddha, the Monks, The community, fathers and mothers.

A stream of participants flow through all day – each going from pot to pot and stirring for about one minute at a time at each pot. They then circle back and do it again., completing three full rounds.

There's that number 3 again. What's the significane of three?

The three gems – Buddha, dharma, sangha.

Runs right alongside the trinity if you ask me...

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